Showing posts with label Freelance. Show all posts
Showing posts with label Freelance. Show all posts

Tuesday, September 5, 2017

Tellos: Baltimore Comic-Con Yearbook 2017 process

The Baltimore Comic Con has an anual tradition of publishing a Yearbook, each year featuring a comic property or title, and asking the guest artists to contribute a pinup in their own style (or also mashing in their characters). Two years ago, I was fortunate enough for Mouse Guard to have been the focus of the Yearbook. This year that honor has gone to Tellos. It is the 10 year anniversary of Mike Wieringo's passing. The book will be available at the Baltimore Convention and probably on their website afterwards.

 On the left you can see my finished  piece, but below, I've gone through and shown the process and steps.


The first issue I had was what character(s) from Tellos would I focus on or use for my piece. Obviously I wanted to draw Koj, the Tiger character, but I figured everyone for this yearbook would be drawing him as well. So I just started drawing all of the characters, Jarek the boy, Tom the turtle-wizard, Rikk the fox-theif, and Brad the dragon. Not being great at drawing human characters, I opted to draw Hawke (who's an elf) and Serra as characters further away in the distance on airships or riding dragons. All of these were drawn on copy paper separately using the Tellos Colossoal collection for reference as I went...

I then scanned all of my sketches and started assembling them into a composition. This took a lot of puzzle-work, adjusting, re-adusting, scaling, leaving out character drawings, mirroring...until I had a layout that worked for me where somehow all the characters fit, there was a focus, and their scales, relative to each other, made sense.

The background skyline & zeppelin silhouettes were drawn quickly in Photoshop based on architecture & ship designs from the first 2 page spread in Tellos.


I then printed out the above composite layout (onto two sheets of legal paper taping them together to form the entire 14x17"piece) and then taped that to the back of a sheet of Strathmore 300 series Bristol. On a light-pad (I use a Huion) I can see through the surface of the bristol to the printout and use it as a guide as I ink on the bristol. For pens I used Copic Multiliners (SP, the 0.7, 0.2, & brush nibs here).

To help the background not feel as flat, I left a gap between it and the character outlines, which also helped me in the next step isolating them as color holds...

After the inks were done, I scanned them for the start of the coloring phase, 'flatting'. This is a term that simply is about laying in flat colors (no rendering, no lighting, no effects) like a professional version of coloring within the lines. I established color holds (areas where I wanted the inkwork to be a color and not just black) for the skyline, zeppelins, and background characters, as well as a few details on Koj's sleeve.

With the flats finished, it was then just a matter of rendering everything. To add the highlights & shadows I use the Dodge & Burn tools in Photoshop using a textured brush.


Here again is the finished piece which will be included in the 2017 Tellos yearbook sold at Baltimore Comic Con

I look forward to signing these in a few weeks there.

See you in Baltimore!








Past Baltimore Yearbook process posts:
2016: Archie:

2015: Mouse Guard:

2014: Grendel:

2012: Liberty Meadows:


2017 Appearances: 
Rose City Comic Con (at the BOOM! Booth) Sept. 8-10
Baltimore Comic Con: Sept. 22-24

Tuesday, April 11, 2017

Thundercats


Thunder...Thunder...THUNDERCATS, HO!

As a fun experiment at my weekly Art Night gathering with other local artist friends, I tried my hand at drawing a favorite of mine as a kid...the Tundercats! I didn't want to redesign them, or stick to copying a model sheet, I wanted to just draw them as I would, with respect to the original designs but enough David Petersen linework that you knew it was from my hand.


I want to reiterate, these were only for fun. I'm not working on any Thundercats Project, and I won't make prints of characetrs I don't own. With that said, enjoy!









Many of the original inked pieces are available in my online store:



2017 Appearances: 
C2E2: April 21-23
Heroes Con: Jun. 16-18
San Diego Comic Con: July 19-23
Baltimore Comic Con: Sept. 22-24

Tuesday, November 22, 2016

Power of the Dark Crystal #1 Variant Cover Process

Archaia will be publishing a new Dark Crystal series: "The Power of the Dark Crystal". Adapted from a screenplay by the same name, this is a sequel story to the film The Dark Crystal. As a big fan of Henson and that original movie, Archaia editors Cameron Chittock & Sierra Hahn asked me to do a variant cover for issue 1.


In this blogpost I go through my process for creating the cover art you see to the left.



Pencil sketches:
I was given a packet of reference material for the new series from Henson, which included new characters and a new species. I tried my hand at the two new main characters, but opted to only depict one of them in my cover, using the remaining space for the crystal itself and a menacing Skeksis.

I drew these on copy paper, and with the Skeksis, I got out of control having not planned a composition but just free drawing. I had to tape a few sheets of extra paper together to extend the drawing in the directions I was going. The main Gelfling character was sketched out considerably smaller and is based on some work by Brian Froud included in the reference packet. (I couldn't find my loose sketch of the crystal & surroundings when I was putting this blogpost together).

Layout/Composition:
I scanned the sketches above (and the now missing Crystal sketch) into Photoshop and worked up a composition for the cover. Each drawing was tinted a different color to help define the characters. This layout is a bit different for me because it's less of a scene and more of a montage-collage.

Because this stage had to meet with the approval of both Archaia & Henson, I also painted in the basic color concept and added a Froud celestial design pattern in to fill up some of the background. I sent this .jpg over to my editors to wait for approval before proceeding.


Inks:
The layout was approved with no changes (and very quickly) so I started inking the piece. First, I printed out my composite layout at the art-size (about 10" x 15") and then taped it to the back of a sheet of Strathmore bristol. On a light pad, I'm able to see through the bristol to the printout and use it as a guide while I ink. This saves me a later step of erasing pencil or having to digitally edit out blue-line pencil. I used Copic Multiliners to ink with (the 0.2, 0.3, & 0.7 nibs)

Below you can see some in-process photos I took to share with one of my editors as I worked:




Color Flats:
Once the inks were completed, I scanned the art into photoshop and prepared the file for coloring. At first this means adjusting the levels so that the blacks are true black and the whites are true whites while eliminating stray midtone greys. Then I lay in flat color behind the linework layer establishing the areas of color (the Skeksis' skin, the armor, the crystal, the Gelfling's armor & clothes, etc.) I also establish the color-holds. These are areas where I don't want my inked linework to be black, but to be a color. The background pattern is the most obvious one of these, but I also held the linework of the crystal, the Gelfling's freckles, & the glow of the pit below the crystal.



Final Colors:
The last step is to render all the colors adding light, shadow and texture. I mainly use the dodge and burn tools in Photoshop to do this while using a stock textured brush. I also make lots of slight color adjustments as I work, using the free-hand lasso tool with a feather on it to make subtle color shifts for rosey noses, glowing light sources that would affect color shifts, etc.

The final cover art sans-logo can be see to the right. And follow @Archaia on Twitter for updates about this new Dark Crystal series.



2017 Appearances: 
C2E2: April 21-23
Heroes Con: Jun. 16-18
San Diego Comic Con: July 19-23
Baltimore Comic Con: Sept. 22-24

Monday, November 7, 2016

Petersen Non-Mouse Guard checklist.

I was asked by a fan on Twitter if there is a complete source/checklist for all my Non-Mouse Guard published/printed work. I was able to tweet him back with some help, but this blogpost will serve as a complete* list of my Non-Mouse Guard works.

*I will try to update it as best as I can. If fans find corrections, let me know.


Covers






Mr. Stuffins #1 Variant (BOOM!)

Mr. Stuffins #2 Variant (BOOM!)

Mr. Stuffins #3 Variant (BOOM!)

Muppet Robin Hood (BOOM!)

Muppet Robin Hood #2 (BOOM!)

Muppet Robin Hood #3 (BOOM!)

Muppet Robin Hood #4 (BOOM!)

Muppet Peter Pan #1 (BOOM!)

Muppet Peter Pan #2

Muppet Peter Pan #3

Muppet Peter Pan #4

Muppet King Arthur #1 (BOOM!)

Muppet King Arthur #2 (BOOM!)

Muppet King Arthur #3 (BOOM!)

Muppet King Arthur #4 (BOOM!)










Dragon Prince #4 (Top Cow)

Following Cerebus #12 Jam Cover

Ramayan 3392 A.D. #3 (Virgin)
















Pinups




Cursed Pirate Girl #1 (Comixpress edition)

Cursed Pirate Girl #1 (Olympian Publishing)





Drafted: A Story from the Space Marine Corps #3


Dark Crystal: Creation Myths Vol 1 (Archaia)


2013 Baltimore Yearbook: Usagi Yojimbo





Hawkman Companion (TwoMorrows)



Perhapanauts (Dark Horse/Image)


Monsters & Dames 2009





Robotika: For A Few Rubles More (Archaia)



Skin Deep Vol 1: Orientations (Kory Bing)

Season of the Witch #3 (Image)






Vogelien Book 1 (Fiery Studios)



Stories/Interiors


The Abominable Charles Christopher: Guest Strip (webcomic)







Panels for Primates (comiXology)

Ye Old Lore of Yore ~ 3 short stories & cover (ComiXPress)


Misc





The Mill at Calder's End Promo/Kickstarter Poster




Strathmore 300 Series Bristol Packaging 



Torchbearer RPG Petersen Bestiary Vol 1 & Vol 2


Star Wars Galaxies 4 Trading Card (Topps)

Star Wars Galaxies 5 Trading Card (Topps)



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