To the left you can see his final cover (with logo--though there was also a version released without any trade dress).
Below are images and a video showing Goni's process.
I reached out to Goni to share process images and his thoughts about creating the cover. Here's what he said:
GONI: "I kinda work as if it were gonna get silk screened, which is my background, so that’s why it’s kinda easy to layer things this way and then take a look at every single layer independently.
The linework is drawn digitally. My brushes are my own. I make them by scanning in ink marks that I make on my sketchbooks. The textures in the backgrounds and the cracks and all that stuff are done on analog paper and inks in this case. It’s just faster and a hell of a lot of fun to just ink
grungey stuff on paper and then scan it in at ridiculously huge size"
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