Tuesday, April 29, 2025

Free Comic Book Day 2025

For Free Comic Book Day this year BOOM! has an offering with a Mouse Guard story that will see publication for the first time: King, Knight, Fool, Villain. 

For those of you who don't know, most comic retailers offer a selection of new comics on the first Saturday in May for FREE! They use it as a way to try and get people who have never tried reading a comic -or- haven't picked up a comic in years, to try a comic for free. Many stores will also have planned signings, events, food drives, and sometimes sales for their regular inventory.

I believe that because comics are stories, there is a comic for every person in your life who enjoys stories...(I've done a post about recommendations for those reluctant-to-comics folks in your life who think comics are all capes, cowls, bullets, & blams: https://davidpetersen.blogspot.com/2018/05/recommendations-of-comics-by-genre.html)





The short story in my publisher BOOM!'s FCBD offering 'King, Knight, Fool, Villain', was originally drawn in my usual square Mouse Guard format (I've shared live readings of this story online and at some conventions), but it has not yet been collected (I still need a few more tales this length to make a new hardcover of similar stories).

Because the FCBD book is a 'standard' comic format, I had to move and resize a few panels around and re-letter the whole thing so the text was still readable at the new scale. While it took some work, I'm pleased with the alterations to have this story see print for the first time.



The story features a mouse soothsayer who uses bone cards to fortell the future...and while I was working on it, I needed to design a few of those Tarot-like cards to draw into the story...and by the end, I'd already drawn about one-third of the total number of cards in the deck, so I went ahead and drew the rest so that Mouse Guard fans could own a deck of their own, either just-for-fun or to incorporate into their Mouse Guard RPG sessions. These are available to purchase in my online store: https://mouseguard.bigcartel.com/product/soothsayer-s-deck-of-bone-cards

Past blogpost with more info on the cards: https://davidpetersen.blogspot.com/2022/10/soothsayer-deck-of-bone-cards.html


I'll be signing and doing doodles and setting up with a mini-con booth at Green Brain Comics in Dearborn, MI. I'll be there from 2pm-6pm (Jeremy Bastian of Cursed Pirate Girl fame will also be there)
So, I hope to see you this Saturday, either in-person at Green Brain -or- posting photos online of what you picked up for FCBD and who in your life you introduced to comics with a free issue of something.

Green Brain Comics

13936 Michigan Ave
Dearborn, MI 48126

Tuesday, April 22, 2025

Model Grain Cart

It's been a long time since I built a reference model, but on a day this week when the weather had changed for the warmer, I was out picking up sticks the oak drops on our driveway and I got inspired. 

I plan do do a new piece of artwork (probably a print to be released at Motor City Comic Con) that would pay homage to the first ever issue of Mouse Guard where Saxon, Kenzie, & Lieam discover the broken grain cart from the merchant they were tasked with finding. 

The sticks, warm weather, and this upcoming artwork on my mind came together and gave a me a time away from the computer and drawing table while still being creative and using my hands.

Before I started in earnest, I printed out a page from that first issue as well as a re-design of the grain cart I drew in 2017 (and was in that year's sketchbook). I thought it would be handy to have these in sight when at my workbench in the garage.

I wanted to be closer to the original in overall form, but take some of the cues from the latter with some of the details and organic shapes.

Below is more of a series of photos, rather than a step-by-step tutorial, that I managed to take (when I remembered to take photos) while working. Also, please excuse the state of my workbench--it has been a catch all and not tidied since last fall when the weather was still suitable for an unheated garage.


My first pile of fallen sticks gathered from my patio and yard. When I was a kid my Dad had a tall cardboard box full of tree debris like this that had fallen from our maples and elms in Flint, MI that he'd use to get a charcoal fire going for cooking out (no lighter fluid used by Eric Petersen!)


I used a box cutter or a wire brush to remove the loose bark and lichen. This was where I discovered I needed more sticks because so many would break at weak or rotten spots.


Starting to glue up the frame with super glue. I had to make a run to the hardware store because the two bottles of glue I managed to find in my studio and in the garage were only 5%-10% full and both dried solid.

I used popsicle sticks to deck the bottom of the cart. I used pliers to break off the ends rather tan a saw to give them a more rustic look.

Gluing the uprights for the side walls. There were lots of decisions here about placement of these that will effect the way the side walls attach.


I wanted a more robust structure to hold the axles, so I cut out a piece of pine on my scroll saw. (I think this was a really thick pain stirring stick--or if not, something similar.


hacked at the axle mounts to make them looked mouse-carved and them gave them some stain. Also laid in the axle brace, which was a pre-cut piece of doll-house framing.

Back to the cart adding top rails to the walls..still just superglue...
oh, and you can see my bad decision to stain the popsicle sticks. It made it a mess and I don't care for the color, so I didn't do any more after that.

Used braided cotton chord used for snapping chalk lines to lash the corners together. Each knot got a little dab of super glue so it stays put.


Starting on popsicle stick planks for the side walls. Again, just breaking the ends off with a pair of pliers to get them to length.

Done with the side walls and opted to add another stick as framing in the middle of each wall to make it more visually interesting.

I should have showed this wheel process more. I took oak scraps from when I milled some for a gate on our basement stairs, and cut 4 equally long pieces (per wheel). On my belt sander I hacked into them each individually making the surface uneven, divoted, and differing thickness. They were then lined up edge to edge and I traced a circle on them using a can of wood stain as a template. I cut on the pencil line of each piece and then glued them together making sure not to align them perfectly. The hub is a bit of dowel, a washer, and a nail.

Warping popsicle sticks as cross bracing and clamping across the uneven surface while the glue dries

On the back of the cart I wanted to make the structure more interesting so I used a few more oak twigs. Here are my sub assemblies of cart, axle mount, and wheels.

When it came time to plank the back wall, I found I had to bend or slightly break each one in the middle so that I could glue both end touching the corner posts as well as the center post.

And here agin is the final product. Are there things I wish I did differently: YES! I immediately saw all sorts of changes I'd like to make. Some were aesthetic, others were believability of function, and some were just afterthoughts about how I could have made life easier on myself.

However, I'm not going to spend any more time on this. I appreciate the time away from the studio doing work-work and being outside on a nice day. But as this is a reference for a drawing, I can make many of those changes in the drawing as I go. 




Tuesday, April 15, 2025

Dawn of the Black Axe #3 Petersen cover

Dawn of the Black Axe is a 3 issue mini series written and colored by me and illustrated by the amazingly talented Gabriel Rodriguez (Locke & Key) about Bardrick, the first wielder of the Black Axe!

Issue 3 is up for preorder now in local and online comic shops (APR250931 for my cover) And I wanted to use this post to share a deeper dive into the cover art for cover B (I also have a variant cover and there will be at least one other guest artist for each issue)

To the side you can see the finished cover with logo etc, below I go through the art process to create it.

For my cover I wanted to draw both the Elk and the Matriarch since I hadn't gotten to draw them on either of my past covers. It was a tough composition to get the Elk's head in there as well as a view of the Matriarch and moving around rough drawings in Photoshop was the longest part of the layout stage.

I drew the elk from a reference photo, shile also making some adjustments to make it closer to the anatomy Gabe draws for the interiors. I also found a reference model of a tower roof and used that to trace over and modifu for a balcony/parapet of Lockhaven. The rough was also colored just enough to help me make out the various forms from one another.


With the above layout in a state that I liked, I printed it out on copy paper (two sheets of legal paper trimmed and taped together after printing to fit the whole image) and taped to the back of a sheet of 13" x 13" Strathmore bristol (art size is 12" x 12").

I inked the piece on my Huion lightpad where I can see through the surface of the bristol down to the printout to use as a guide while I inked. I used Copic Multiliner SP pens (the 0.7 & 0.3 nibs).

The inking work on this piece was about managing texture on the elk, the stone, the dead ivy, the moss, etc.

The inks were then scanned in and I started the coloring process. The first step is called flatting, basically a color-in-the-lines for professionals with flat base colors (no shading or textures.)

The Matriarch and the Elk's  colors were already established in the series, but I had to alter them to fit the lighting of this scene. The background is basically 2 values of the same violet. There was also a fair amount of work in establishing color holds (areas where I want the lineart to be a color other than black) to the elk the moon and the background.

To render the color I used Photoshop's dodge and burn tools with a textured brush to get the highlights, shadows and textures. The cool lighting highlights were achieved by using the freehand lasso tool with a feather to select areas and color shift them more cyan. I also painted in a bit of moon (slightly offset) in the elk to make it look more spectral.

Below is the solicitation info for the third and final issue that will be in shops June 18th, 2025
CODE: APR250931 (Petersen cover)
(W) David Petersen (A) Gabriel Rodriguez

Bardrick's quest to protect the Lockhaven and mouse territories from the surrounding serpents comes to a thrilling conclusion! Will the Black Axe's first wielder be able to complete his task before the poison flowing through his veins claims his life? And who shall come to his aid in his hour of need?!

Tuesday, April 8, 2025

Dawn of the Black Axe #3 Rodriguez Cover

Dawn of the Black Axe is a 3 issue mini series written and colored by me and illustrated by the amazingly talented Gabriel Rodriguez (Locke & Key) about Bardrick, the first wielder of the Black Axe!

Issue 3 is up for preorder now in local and online comic shops (APR250930 for Gabe's cover) And I wanted to use this post to share a deeper dive into the cover art for cover A (I also have a variant cover and there will be at least one other guest artist for each issue)

To the right you can see the finished cover with logo etc, below I go through the art process to create it.

Since we are both doing covers for the series, I tried to avoid us drawing the same scene or have the same emotional tone for the same issue.

For his Issue 3 cover I asked Gabe for a cover that's a bit of a spoiler, with the Matriarch Siobhan tending to Bardrick.

In the order of events, I'd described idea for the cover before I had a finished script off to Gabe (due to how early covers need to be done and turned in). It meant that when Gabe sent over pencils, he'd drawn a different setting, and I had to quickly ask for the change (which Gabe accomplished with little impact to the figures.) Later this amazingly clean and detailed inked art arrived in my inbox.

When coloring these Dawn of the Black Axe pieces of Gabe's I start with establishing the color holds (areas I want the inkwork to be a color other than black) like the glow of the lantern and the details on Siobhan's garments, and then start laying in flat colors to establish all the shapes. Anywhere Gabe didn't close off his linework I needed to smudge out my hard line of color in the gaps.

I wanted this scene have a color scheme with muted colors of the tent Bardrick erects in issue 2, but then the lantern to cast directional warm light that was done in the next step.

To render the colors, I used the dodge and burn tools in Photoshop with a stock textured brush. I then lasso areas and color shift them to warm them or cool them. Getting that lantern light was very time consuming––and I had to do it again and again for several pages in the issue itself and I used this cover as my guide.

Below is the solicitation info for the third and final issue that will be in shops June 18th, 2025

CODE: APR250930 (Rodriguez cover)
(W) David Petersen (A) Gabriel Rodriguez

Bardrick's quest to protect the Lockhaven and mouse territories from the surrounding serpents comes to a thrilling conclusion! Will the Black Axe's first wielder be able to complete his task before the poison flowing through his veins claims his life? And who shall come to his aid in his hour of need?!






 

Tuesday, April 1, 2025

Recent Commissions

No April Fools---Here are some Toned Commissions from ECCC

Saxon on a rock with lichen



Samurai Mouse


Kenzie


A mouse version of an excited young fan



Wood collecting Guardmouse



A Fan's D&D character


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