Fan Art

A great joy as a creator is to see fans drawing, sculpting, panting, modeling, cosplaying, inking, and expressing themselves by making artwork of Mouse Guard characters from the books and moments from their RPG campaigns. And so to celebrate that, here is a whole post of amazing Fan Art

(See past Fan Art Blogposts here)

 Spectralidax

Adam Murphy: Bardrick

Adam Murphy: Celanawe

Adam Murphy: Em

Adam Murphy: Saxon, Lieam, & Kenzie

Alina Ertsgami

Andrew Blakeborough

androteutis

Clint Smith

CraftyArts

Crow

dimitrispantazisart

Drew Sheneman

e c floresart

Ffranses

Grace Morrissey

RMG

Fan-made Lieam Sword & Scabbard 

Kerri Lisa

linesanddreams

Marco R Sassi: Mortimer's Soothsayer

Marco R Sassi: Rossard

Mario Cau

Meggo

mirhayasu

Naerina

Nikkol Jelenic

Paul Michael

Piero Ali: RPG Characters

Renzus S

Roxanne Davis

Ryko

sirpentines

Slovakcat

smc_tait

Steve Nickel

Tony Miranda

??? Lost the name of the fan who drew these for me???

Vurrunna

Happy 2026 Guardmice

Fellow Guardmice:
Aim high & stay on target in 2026!

 

Small Wooden Spoons

For family Christmas gifts this year, I made small wooden spoons. Most are the size you'd use for a pinch of salt or a scoop of sugar or tea leaves or ground coffee, but a few were larger for more universal purposes (though I stopped making those because I found the little ones so much more fun to make. 

The wood species were oak, rosewood, teak, leopard wood, zebra wood, paduk, bubinga, and bocote mostly from scraps I had when I made wooden utensils a few years back (see further down)

It started with being inspired by the carvings of Giles Newman, a UK woodworker who does a variety of leaf shapes as-handles for spoons like these. And for Julia's birthday, I tried my hand at making one. T

hough the handle is an oak leaf, the wood species is rosewood (a scrap piece that I was given for free by a woodworker who had filed chapter 7 bankruptcy and wanted a fellow woodworker to have nice material before the auctioneers came to liquidate everything)

Since Julia is a cook, she uses her spoon for her specialty sea salts. I used mineral oil (which is food safe) to protect the wood and bring out the beauty of the grain.

And for many a December night in sub freezing temps, I was out in the garage woodshop bundled up with space heaters running as I cut blanks, bored out the starts of the bowls, and then carved and sanded and sanded and sanded until I couldn't feel my legs or fingers or until it was too late to be running power tools for my neighbors.

I broke several that were 70%-90% finished, but I still had enough finished so every family member I was gifting got two.

To read a post about the wooden utensils I made family for Christmas in 2022:
https://davidpetersen.blogspot.com/2023/01/wooden-utensils.html

Guard Induction

As I work toward a new sketchbook in 2026, I'll be doing a series of posts about Mouse Guard illustrations I've done that will be included in that new release: 'Past Whereabouts' that will debut at Emerald City Comic Con and be available in my online store soon afterwards.

Sketchbook illustrations are often a chance to explore corners of Mouse Guard that I haven't gotten to yet. Whether it's certain locations, characters, or just ideas or thematic tones. For this illustration we have a guardmouse being inducted into the Guard by a Matriarch. and in this post I'll break down the steps to creating the illustration 

The Matriarch shown here is one who is depicted in the stained glass of the Matriarch chamber: Allyson, who spoke the words 'It Matters not what we fight, but what we fight for'.

I was able to draw her more completely here on copy paper than the stained glass honoring her in The Black Axe volume. The Guardmouse being inducted was also drawn on copy paper and the two were assembled in Photoshop along with another drawing of a ruin based on some architectural model I found online. I blocked in some colors to help me see the forms of the two characters a bit easier.

The digitally assembled pencil layout was printed out and taped to the back of a sheet of Strathmore Bristol and placed on a light pad. With the light shining up, I was able to see through the bristol surface to the printout to use as a guide as I ink the artwork. I used Copic Multiliner SP pens to do the inking (the 0.7 nib mostly)

I kept the density of the inks mostly to the textures of different brick, stone, and ground cover, though the shapes on Allyson's tunic were pretty bold here, I knew they would be toned down in the final colors.

With the inks finished, I scanned them and started on the coloring process. This first step is called flatting and is about establishing all the color areas (fur, skin, clothing, ground, sky, etc) with different flat colors––a professional version of coloring-inside-the-lines.

Most of the color choices for the characters were established in the layout (though I wish I'd kept the Guardmouse's cloak more orange to avoid confusion with Saxon...who wouldn't even be born yet) and the environment's color were about making something cohesive and warm. 

It's also at this stage that I established color holds for all of the Matriarch's clothing details as well as the plants growing on the other side of the ruin.

The last step was to render the colors with dodge and burn tools and a stock textured brush. Dodge and Burn are tools based on photography terms (and from when Photoshop was a photo retouching program) having to do with purposely over or under exposing areas––or in other words darkening or lightening them.

I use these tools to create shadows and highlights to my base colors while giving a bit of a pebbly texture with that stock brush.

This illustration, along with many more, will be published in the sketchbook 'Past Whereabouts' which will debut at Emerald City Comic Con in March 2026 and will be available in my online store soon afterwards: mouseguard.bigcartel.com