but below I'll share the process of creating them:
The pencils sketches needed some refinement and I made digital alterations to them at this stage, even adding in stock 3D models of Leo's katanas to match the angles I'd drawn his hands in.
These were then printed out (along with a brick pattern not shown here) and using transfer paper, transferred to the cover stock by tracing over them.
I wasn't great at stopping to photograph them at all the stages of building up the paint, but here are the photos I did manage to take along the way for each character:
Leo
transferred pencil drawing
building up base colors--something I was doing too thinly to get to stick well at first because of my watercolor bias
more base colors and some modeling on Leo's skin
Final with ink outlines, white halo painted on, pencil to shade the brick and some brown color pencil to push the shadows on Leo.
Don
Pencil transfer
Base colors––I was getting better at not going as thin, but certainly still painting in a watercolor mindset of thin transparent laters.
Building up more tones
smoothing out those tones because it all looked too splotchy
Final Final with ink outlines, white halo painted on, pencil to shade the brick and some brown color pencil to push the shadows on Don
Mike
pencil transfer
Had some brown that was on the palette that was going to dry, so I opted to start with his elbow pads, belt and wrist bands.
I was getting better at going straight in with thicker midtone layers at this point and then building in both shadow and highlights (something very different for a watercolor painter)
Last of the painting before adding line
Final with ink outlines, white halo painted on, pencil to shade the brick and some brown color pencil to push the shadows on Mike
Raph
Pencil Transfer
Midtone skin, shell, pads, and reds getting built up
further skin and shell rendering
last stage of painting before linework
Final with ink outlines, white halo painted on, pencil to shade the brick and some brown color pencil to push the shadows on Raph
Splinter
pencil transfer
I got nervous with how dark I was making my base color when trying to get good coverage on a coverstock that doesn't absorb water.
building up Splinter's robe and arm wraps
Fur rendering
final painting before lineart
Final with ink outlines, white halo painted on, pencil to shade the brick and some brown color pencil to push the shadows on Splinter
Again, I'm offering these for sale separately in my online store: mouseguard.bigcartel.com/product/painted-tmnt-blank-covers




























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