I'm happy everyone is enjoying the step-by-steps and behind-the-scenes posts I have been making about the process of making Mouse Guard. This week, I'm showing a model I made to help me keep track of mouse placement. For the funeral pyre scene in issue #6, I knew I wanted more than just the key characters present. And to keep track of all those mice, I'd need a layout key.
I used paper plates to rough in the balcony shape. Then I took soldier pieces from my RISK set to represent my characters. I used key colors for key players (though I was limited to the Red, Yellow, Blue, Green, Black, and Grey that RISK comes with) and filled in the rest with grey. I toyed with the placement of each of them, knowing who needed to be close to each other for the dialogue.
Once I liked the placement, I drew circles around each piece's base and labeled what character was there. I took photos from several angles. This way I should be covered, but if not, I can recreate the scene using my guide photo. I really like the simplicity of some of these types of models. It didn't take any more than 20 minutes to set-up, and saved me far more than 20 minutes down the road of drawing and coloring.
Winter 1152 in Previews!
The Black and White ed. of Winter is in the Oct. Previews! Winter has received the same treatment as Fall 1152: 12" x 12" Printed pages (same size as the original artwork), cloth cover, velum overlay pages, and slipcase. The fans asked for it and Archaia delivered. As mentioned before, the price has gone up, but only due to the hand-tipped-in vellum sheet count tripling from Fall's (from about 20 to about 60!). So if you would like one, have your local retailer to use order code: OCT09 0693.
For the next few months, Ink & Stein will not be on the last Saturday of the month. Because it interferes with Halloween, Thanksgiving, and Christmas, we have bumped it a week before it normally would be (Oct. 24, Nov. 21, & Dec. 19). If you are an artist or writer in the South Eastern Michigan area and would like to join us, feel free to do so on all or any of the upcoming dates. We meet at 7pm at the Corner Brewery in Ypsilanti, MI
This piece was given to me at Windy City, I believe. Unfortunately, I don't know the artist's name other than it's signed 'Gabo'. I apologize, to the fans and the artist. I'm so swamped at conventions and being pulled in every direction, that I don't remember people's faces or names more often than I'd like to admit. If you are the artist in question, let me know and I'll credit you appropriately.
Upcoming Appearances:Baltimore Comic Con: Oct. 10-11
Big Apple Con Oct. 16-18Forbidden Planet London signing: Nov. 7
Live Reading at the Flint Public Library Dec. 8 (6:30 & 7:30pm)
Upcoming Appearances:Baltimore Comic Con: Oct. 10-11
Big Apple Con Oct. 16-18Forbidden Planet London signing: Nov. 7
Live Reading at the Flint Public Library Dec. 8 (6:30 & 7:30pm)
(2010 dates coming shortly)
1 comment:
Oh man I totally didn't comment on this when I first read it (catching up on the last few blogs here), but I really dig that model setup that you used to keep track of the positions of all the characters!
It's great to be able to have a model and then look at it from different angels to envision the scene, so that you can see what would be in the panel if you chose this perspective or that perspective.
I have no ability to make physical models (I think I had to do one for an art class once, and it was a complete failure), but I do enjoy creating quick mockups of a scene in a 3D program on the computer (as I think I mentioned once before) and then moving the camera around to see how the layout of a scene might work out and to make sure I get the perspective and shadows right.
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