Tuesday, November 25, 2025

Badger's Kitchen Hearth Illustration

My illustrated edition of Kenneth Grahame's classic Wind in the Willows published by IDW has been released in paperback (order here: https://www.penguinrandomhouse.com/books/796673/the-wind-in-the-willows-with-illustrations-by-david-petersen-by-kenneth-grahame-david-petersen/)!

This book took me years to complete the illustrations for when it was first released, and I'm so pleased to have it back in print, so for this week's post I'm going to share the art process of one of the color illustrations from the book: Badger's Kitchen Hearth.



"...they found themselves in all the glow and warmth of a large fire-lit kitchen.The floor was well-worn red brick, and on the wide hearth burnt a fire of logs, between two attractive chimney-corners tucked away in the wall, well out of any suspicion of draught. A couple of high-backed settles, facing each other on either side of the fire, gave further sitting accommodations for the sociably disposed."

"...from the rafters overhead hung hams, bundles of dried herbs, nets of onions, and baskets of eggs. It seemed a place where heroes could fitly feast after victory, where weary harvesters could line up in scores along the table and keep their Harvest Home with mirth and song..."

What I found most important about this scene was the feeling of the setting as described from Grahame's text above. So, I built a model of Badger's hearth and of the two tall backed settles (past post about that model: https://davidpetersen.blogspot.com/2017/02/wind-in-willows-models-badgers-kitchen.html

With the setting drawn using the model as reference, I drew in our three characters after the visitors have changed out of their wet snowy clothes and into warm robes and slippers on another sheet of paper (probably overlaying it with the background drawing for perspective and contact point references). The drawings were scanned separately and assembled in Photoshop.


With the above layout done, I printed that out and taped it to the back of a sheet of Strathmore 300 series bristol. The piece was inked on a Huion lightpad where I could see through the bristol to the printout as a guide to ink from. I used Copic Multiliner SP pens (the 0.3 & 0.7 nibs).

Even though I knew this piece was going to be in color, I needed the inks to enforce the idea that the hearth was emitting the warm glow and the rest of the kitchen started falling into shadow. So I used a lighter touch on the texture and detail the closer everything got to the flames and more dense with ink the closer to the edges of the illustration.


The inks were then scanned and I started the coloring process of establishing flat colors for everything. Some of the colors were already established from the cover art and the other illustrations I'd done of the characters, but getting that overall warm tone of the brick and stone and wood took some playing around even at this early base color stage.

The details of all the food stores hanging from the ceiling were hard to color––I needed the various objects to read properly as hams, onions, garlic, eggs, etc, but I also needed them to fall away into those outer edges of the illustration and not draw attention to themselves. 

This step is also where I established color holds (areas where I want the ink lines to be a color other than black) for the flame, fire glow, Mole's glasses, Badger's gown, Rat's coat, and the china pattern on the table.

The last step was doing the final coloring render––adding in shadows and highlights and textures. That was all done in Photoshop using the dodge and burn tools with a stock textured brush.

It was hard to strike that balance of warmth and glow while also implying the rest of the kitchen has fallen into a late winter's night darkness.

"The kindly Badger thrust them down on a settle to toast themselves at the fire, and bade them remove their wet coats and boots. Then he fetched them dressing-gowns and slippers... In the embracing light and warmth, warm and dry at last, with weary legs propped up in front of them, and a suggestive clink of plates being arranged on the table behind, it seemed to the storm-driven animals, now in safe anchorage, that the cold and trackless Wild Wood just left outside was miles and miles away, and all that they had suffered in it a half-forgotten dream.



The book has Grahame's original text, with over 70 illustrations by me as well as a new cover (blogpost about that art process: https://davidpetersen.blogspot.com/2025/09/wind-in-willows-2nd-edition-cover.html).

Tuesday, November 18, 2025

Digital Sketchbook collection 2016-2024

I have a new 156 page Mouse Guard digital sketchbook collection available that puts together sketchbooks from 2016 - 2022 plus several pieces never collected in the sketchbooks used in the 2023 & 2024 calendars included. Commissions, Free Comic Book Day covers
& promotions populate this bundle of work.


Here's a little sample of what's inside.




Also available is the original Digital sketchbook collection featuring work from 2004 (before the Mouse Guard comic was published) through 2015:



And a new printed sketchbook will be released early in 2026 debuting at Emerald City Comic Con...


Tuesday, November 11, 2025

Wind in the Willows Model Reference

My illustrated edition of Kenneth Grahame's classic Wind in the Willows published by IDW has been released in paperback (order here: https://www.penguinrandomhouse.com/books/796673/the-wind-in-the-willows-with-illustrations-by-david-petersen-by-kenneth-grahame-david-petersen/)!

The book has Grahame's original text, with over 70 illustrations by me as well as a new cover (blogpost about that art process: https://davidpetersen.blogspot.com/2025/09/wind-in-willows-2nd-edition-cover.html).

This book took me years to complete the illustrations for, and I'm so pleased to have it back in print, so for this week's post I'm going to share posts about the physical models I used/built to help me visualize & illustrate the book. Below are photos & videos of the models of Toad's Caravan, Rat's boat, Badger's Kitchen, & Toad Hall



Direct link to Caravan Model Video: https://youtu.be/jszqVd476aI

Direct link to Carriage House Model Video: https://youtu.be/LF9jhk1ZIII



Direct link to Cupboard Model Video: https://youtu.be/H-2rMZmGlBQ

Direct link to Kitchen Hearth Model Video: https://youtu.be/y-HFxwQVlN8




Ratty's Home & Boat Models

Direct link to Dining Room Model Video: https://youtu.be/gufQ1VCN6KA

Direct link to Boat Model Video: https://youtu.be/NPFBCWlYbN8



Toad Hall Models

Direct link to Great Hall Model Video: https://youtu.be/glXnKesQPxU

Direct link to Foyer Model Video: https://youtu.be/CyQf2tcyzG0


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Tuesday, November 4, 2025

Recent Sketchcover Commissions

Here are some of the recent Sketchcover commissions I've done at NYCC & Baltimore



Lieam


Saxon


Kenzie


Kenzie


Lieam


Saxon


Guardmouse



Sadie in a leaf boat


Celanawe in a library


Conrad in his movie costume––
a gift for Giancarlo Esposito who did the mo-cap for him before the movie was canceled in the Disney/Fox merger.

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